Ha Qiongwen (哈琼文)

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Ha QiongwenHa Qiongwen (1925-2012) was born in Beijing. He was of Hui ethnicity. After his graduation from the Fine Arts Department of the Chongqing Central University in 1949, he joined the People's Liberation Army. Ha taught in the Art Department of the East China People's Liberation Army Military University. In 1953, he moved to Beijing and worked in the Cultural Department of the PLA. In the same year, he visited the North Korean war theatre, where he spent time with the Railroad troops of the Chinese Volunteer Army.

In 1955, Ha was transferred to the Shanghai People's Fine Arts Publishing House (Shanghai renmin meishu chubanshe 上海人民美术出版社). By the late 1950s, he and his Shanghai colleague Qian Daxin (钱大昕) were considered the most prolific designers of propaganda posters, producing some of the best remembered works. More than ten million copies of Ha's designs have been released.

During the Cultural Revolution, Ha was attacked as the "Top Celebrity of the Literature and Arts Black Line". Ha's poster design Long live Chairman Mao from 1959 was at the root of his problems: why had he depicted a bourgeois woman instead of a female proletarian? Where was Chairman Mao? Why didn't the poster praise the Chairman more explicitly? Every time the literature and arts world held a criticism meeting, he was dragged out as an object of public abuse. As a result, Ha was publicly beaten and humiliated more than thirty times. Despite this maltreatment and a suicide attempt that caused the loss of sight in his right eye, Ha remained active as poster designer, although his name was not mentioned or was replaced by that of some 'collective'. Shortly after the fall of the Gang of Four he started designing numerous posters for the Shanghai People's Fine Arts Publishing House again.

Ha retired in 1992. A number of his propaganda paintings as well as his oil paintings has been included in Chinese museum collections. Ha was married to You Longgu (游龙姑), an outstanding poster designer who worked for the Shanghai People's Fine Arts Publishing House as well. Their son Ha Sizhuang (哈思庄) also became a poster designer / artist. Their daughter Ha Siyang (哈思阳) became senior editor at the Shanghai People's Fine Arts Publishing House. She edited and wrote several publications about her parents' life and work.

Beijing yuyan xueyuan Zhongguo yishujia cidian bianweihui, Zhongguo yishujia cidian -- Xiandai diyi fence (Changsha: Hunan renmin chubanshe, 1981) [in Chinese]

Ha Qiongwende lao xuanchuan hua - 哈琼文老宣传画 [Ha Qiongwen's old propaganda paintings] (Shanghai: Shanghai huabao chubanshe, 2001)

Ha Siyang (哈思阳), "Mo bu qu de jiyi - 抹不去的记忆" [Indelible memories], Zhongguo jin xiandai xinwen chuuban bowuguan guan kan - 中国近现代新闻出版博物馆馆刊 [Journal of the China Modern Press and Publication Museum] 2025 n. 3, 92-108

Ha Siyang (哈思阳) et al. (ed.), Ha Qiongwen (Shanghai: Shanghai renmin meishu chubanshe, 2009)

Scott Minick and Jiao Ping, Chinese Graphic Design in the Twentieth Century (London: Thames and Hudson Ltd., 1990)

Precious Memories Stored. Ha Qiongwen Picture-poster Show (Xuhui, 2005)

Kuiyi Shen, "Publishing Posters Before the Cultural Revolution", Modern Chinese Literature and Culture 12:2 (2000), 177-202

Michael Sullivan, Modern Chinese Artists - A Biographical Dictionary (Berkeley: University of California Press, 2006)

Zhongguo meishuguan (ed.), Zhongguo meishu nianjian 1949-1989 - 中国美术年鉴 1949-1989 [Yearbook of Chinese Art, 1949-1989] (Guilin: Guangxi meishu chubanshe, 1993)

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